WELCOME TO THE CFZ BLOG NETWORK: COME AND JOIN THE FUN

Half a century ago, Belgian Zoologist Bernard Heuvelmans first codified cryptozoology in his book On the Track of Unknown Animals.

The Centre for Fortean Zoology (CFZ) are still on the track, and have been since 1992. But as if chasing unknown animals wasn't enough, we are involved in education, conservation, and good old-fashioned natural history! We already have three journals, the largest cryptozoological publishing house in the world, CFZtv, and the largest cryptozoological conference in the English-speaking world, but in January 2009 someone suggested that we started a daily online magazine! The CFZ bloggo is a collaborative effort by a coalition of members, friends, and supporters of the CFZ, and covers all the subjects with which we deal, with a smattering of music, high strangeness and surreal humour to make up the mix.

It is edited by CFZ Director Jon Downes, and subbed by the lovely Lizzy Bitakara'mire (formerly Clancy), scourge of improper syntax. The daily newsblog is edited by Corinna Downes, head administratrix of the CFZ, and the indexing is done by Lee Canty and Kathy Imbriani. There is regular news from the CFZ Mystery Cat study group, and regular fortean bird news from 'The Watcher of the Skies'. Regular bloggers include Dr Karl Shuker, Dale Drinnon, Richard Muirhead and Richard Freeman.The CFZ bloggo is updated daily, and there's nothing quite like it anywhere else. Come and join us...

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Friday, May 24, 2013

THIS IS POSSIBLY THE BEST CICHLID-RELATED POST WE HAVE EVER DONE



A woman has spent the last 2 months training her fish to play... soccer?

In the video below Ilana Bram explains how she managed to train her pet fish Erasmus to, among other things, boot a soccer ball (football?) swim through rings and do a limbo dance. Apparently, it's a very rare feat, since most aquarium fish are not exactly known for their brain power.

But, Ilana Bram doesn't mind putting in the hours and, over the last few months, the training has paid off.

Erasmus is a popular kind of aquarium fish, known as the Pseudotropheus Socolofi Cichlid (or just Cichlid for short) famous for getting along with other, different breeds of their own size. Smaller fish beware, however, as this one is of the same family as the Oscar, a voracious, cannibalistic fish very popular with aqua-nuts.


Read on...

My mother's new pet dinosaurs

 


WHEN THE UNIVERSE TAKES AWAY SOMETHING...

...IT USUALLY PROVIDES A REPLACEMENT


On Friday evening Helen (above) and Jessica came in wildly excited, and asked whether we want a ginger kitten. It is one of a litter of orphaned kitties, and will be ready in three weeks.

The Louth Concert for the Bees


The Louth Concert for the Bees

Sunday 26th May, 2013, 4pm
Playgoers Riverhead Studio Theatre

After reading about the premiere of my new opera The Silence of the Bees: A Science Opera, Biff Vernon, coordinator of The Louth Festival of the Bees,  contacted me about the possibility of producing the opera at Louth’s Bee Festival.  Taken with the idea of the festival, I immediately agreed. Practicalities and my fondness for recycling my works resulted in a new work.  Hybrid Pollination is a musical exploration of bee decline in the form of a cantata. ‘Hybrid pollination’ in biology is a type of controlled pollination in which the pollen comes from a different strain or species to improve or increase biological function.  Hybrid Pollination continues my interest in musical hybridity and refers to pollination as a metaphor for communicating ideas.  I hope that the work helps to contribute to the enormous amount of work that Biff, Transition Town Louth and others are doing to communicate and raise public awareness of important issues.

Kelvin Thomson Composer

Programme

Extracts from Melissographia
by John Burnside (poet) and Amy Shelton (artist)
Reader: Biff Vernon


Songs of Bees and Flowers (ca. 30:00)
Various
Singer: Kate Witney

Interval


Introduction to Hybrid Pollination
by Kelvin Thomson

Composed by Kelvin Thomson
Original text by Benet Catty and drawn from original sources
Narrator: Kelvin Thomson
Soprano: Danae Eleni
Mezzo-soprano: Sophie Yelland
Tenor: Patrick Ashcroft
Baritone: Andre Refig
Music Direction and Piano: Wyn Hyland
Additional piano: Kelvin Thomson
Oboe, Cor Anglais: Rachel Broadbent

HYBRID POLLINATION

PROLOGUE – Them
A short requiem for bees and a requiem for mankind’s ability to make good decisions.  A chant of extinct and endangered species of bumblebees and a nursery rhyme.

PART ONE
Perspectives
Tolstoy’s words remind us of the range of opinions life affords us, particularly in relation to bees.
Facts
The Scientist gives an introductory lecture about bees.  Three other characters introduce contrasting perspectives.  They are different aspects of her personality.
Memories
Short true-life stories of individual encounters with bees continue the big theme of perspectives.

INTERLUDE ONE


A setting of Jo Shapcott’s poem ‘The Threshold’.

PART TWO
Global
The Scientist’s alter-egos become more dominant, explaining some of the causes of the bee crisis.
Personal
The Scientist’s conflicted perspective on the issues becomes a conflicted sense of herself, for instance regarding her experiments in which she has to harm bees in order to help them. Her story becomes a symbol of the debate over bees.
History
A comparison is made between the plight of bees and the global warming story; that Man goes through the stages of denial, deceit, delay and disaster. The bees’ crisis is shown to be
representative of a wider story of human ‘progress’.

INTERLUDE TWO

Settings of Marcus Aurelius and Francis Bacon.

PART THREE SI – Swarm Intelligence
The Truth (As I See It)
The Scientist creates a bee crisis debate in which representatives of Science, Politics, Farming and Art state their cases in a familiar operetta style. Unity seems far off.
Science Fact / Science Fiction
Tensions rise in the debate. Lack of unity turns to seeing communication as a potential basis for progress. Answers lie in unity.

INTERLUDE THREE

A setting of Liz Bahs’ poem ‘Nest’.

EPILOGUE – Us
The epilogue reprises the bumblebee chant and themes of progress are restated.


Kelvin Thomson:
Music director, vocal coach, session musician (piano/keyboards), composer and arranger.
Recent compositions have been performed in London, Athens and Glasgow by Marilyn Wyers, Danae Eleni and Enrico Bertelli; CHROMA; Duologue; and the London Contemporary Chamber Orchestra. LCCO recorded Prelude and Interlude from Cha tig Mor in Dec 2010 and nominated the piece for a British Composer Award 2011 in the Making Music category. Incidental music composed for Theatre Counteract’s production of An Arrangement of Shoes, Indian premiere Bangalore, November 2011.
As Music Director, toured with Celtic Woman, USA (2006) and Riverdance, Europe (2004-5). Assistant Conductor: Southwark Playhouse’s production of John Adams’ Ceiling/Sky at the Huddersfield Contemporary Music Festival (1999) and Opera Omaha’s (USA) world premiere of Andrew Lloyd Webber’s Requiem Variations (1996). West End Associate Conductor, Zorro (2008-9) and Priscilla Queen of the Desert (2009-2011).
Recordings as pianist/keyboardist include: Movie Legends – The Music of John Williams – RPO, (2007); Songs My Mother Taught Me - Lorna Luft (2007); The Isles of Greece a song cycle by Donald Swann (Classic FM’s record of the month 2000); Awakening (1997) and The Music of Life, Joseph Curiale, RPO (2001).

Rachel Broadbent
Rachel studied at Birmingham Conservatoire and studied with Jonathan Kelly (principal oboe Berlin Philharmonic) and George Caird. Whilst at the Conservatoire Rachel was awarded the Rollason prize for performance and won the Birmingham and Midland Institute Woodwind Competition. She gained a 1st class B.Mus(hons) degree and then moved to Guildhall School of Music and Drama to study for a Post Graduate in Orchestral Training.
Rachel is now a busy freelance oboist working with many orchestras around the country, amongst which are the Brandenburg Sinfonia, , Southern Sinfonia, BBC Concert Orchestra, London Concert Orchestra, British Philharmonic Concert Orchestra. Alongside her orchestral work Rachel performs as a soloist performing Concertos with various orchestras and working regularly giving recitals with her accompanist Kevin Vockerodt. Recently Rachel and Kevin gave the debut performance of a new work called ‘Songs Eternity’ by composer Kelvin Thomson.
Rachel is actively involved in teaching and encouraging people to learn the oboe. She has recently been employed to teach oboe at Guildhall School of Music Junior Department and also teaches at The Hall School in Hampstead, Haileybury College in Hertford and Beechood Park School in Markyate, Hertfordshire. She is also a published arranger and an arrangement of hers for 2 Oboes and Cor Anglais is available from Spartan Press. It is an arrangement of Brahms - Variations on a Theme of Haydn and includes the theme and a selection of the variations. In 2012 Emerson Edition will be publishing a further arrangement, also of the music by Brahms. This arrangement is of 3 Brahms Songs and is arranged for Oboe and Piano, Clarinet and Piano or Cor Anglais and Piano.

 
 

STRANGE FOOTPRINTS IN GERMANY

 photo Spuren07.jpg This morning I was contacted on Facebook by a lady from Germany who happens to have the same Christian name as my wife. She wanted me to have a look at some mysterious footprints that turned up in her garden some years ago. The photographs are, by the way, her copyright and this is used by permission, and may not be re-used. This is her story:

It was some late evening in February 2002. My son and husband were sleeping and I sat on the couch watching TV. I was like 2m away from the porch door (total made of glass, like a window down to the floors). The blinds were shut and the curtains were closed. At some point around 2am - as far as I remember - I felt watched. I have no idea why but I turned on the porch light (from inside), opened curtains and peeked through the blinds, but all I could see was the halfway lit up porch and it was snowing like hell. That night I must have fallen asleep on the couch, dressed, and woke up next morning 8am. My husband had left already, but my son was home, I think it musta been a day off school or whatever. Anyway. During the winter, sometimes there;s a little water on the bottom of the windows, so when I woke, I started to wipe off the window edges, when - from the 2nd floor - I noticed these tracks in the backyard. I try my best English to explain:


There was a lot of fresh fallen snow. The whole area (at that time not totally filled with new built houses) was white. Except for our little garden. A dark circle of tracks would stand out. I woke my son and neighbor. These footprints looked too strange.
They would go around in a circle, up to the porch window, and back. It was very very cold, but the tracks were NOT filled with snow,there was just flat grass inside the prints - like something either heavy or warm must have walked here. Also, the tracks seem to have sharp claws, which cut through the snow, but that's probably just an interpretation, it looks like claws, but since you cannot even tell whats front and whats back of the single track, who would know. The truth is, one cannot even say for sure they're FEET. You can tell the size of the tracks by my hand on the pics. One photo shows my son, walking around looking at the tracks, and next to the tracks you see our own footprints, after we have walked around. Our own prints are filled with flat stepped snow.

These tracks are not typical bigfoot prints, but what are they?

There's a wooden shed at one side of the porch, and some buckets did stand right next to that shed. Whatever walked there,- as you can also see on the pics - has somehow scuttled up to these buckets and made a big step over them. Why? Nobody needs to press themself next to the shed. you can just walk in the middle of the porch, no need to step over the buckets.

My son and neighbor and myself were sort of puzzled, so I called the police. The police officer showed up around noon, most of the tracks had almost vanished for the sun had come out, so he also looked at the photos, He said, this must have been a children in monster houseshoes, but he did not look like he did believe it. A few days later, the snowman that was built in my neighbors garden, had mysteriously moved to a strange place

ANDREW MAY: Words from the Wild Frontier

News and stories from the remoter fringes of the CFZ blogosphere...

From Nick Redfern's World of Whatever:
From CFZ Canada:

FORTEAN BIRD NEWS FROM THE WATCHER OF THE SKIES

In an article for the first edition of Cryptozoology Bernard Heuvelmans wrote that cryptozoology is the study of 'unexpected animals' and following on from that perfectly reasonable assertion, it seems to us that whereas the study of out of place birds may not have the glamour of the hunt for bigfoot or lake monsters, it is still a perfectly valid area for the Fortean zoologist to be interested in. So after about six months of regular postings on the main bloggo Corinna took the plunge and started a 'Watcher of the Skies' blog of her own as part of the CFZ Bloggo Network.


Poultry Drug Increases Levels of Toxic Arsenic in ...